Chapter 1: Christopher Nolan on Science and Storytelling

In a captivating interview with Maria Streshinsky, the executive editor of Wired magazine, filmmaker Christopher Nolan delves into his latest project, Oppenheimer. He reflects on a notable line from the December 2014 issue of WIRED that he guest-edited, expressing his intrigue in how storytelling intersects with the scientific method. He states, “It’s not merely an intellectual engagement; it’s more about the emotional connection to understanding something.”

Nolan elaborates on his longstanding passion for astronomy and physics, which he explored in his film Interstellar. He shares that his brother, who penned the script, drew inspiration from Einstein’s thought experiments, highlighting the emotional depth present in these scientific inquiries. “It’s all about time and the experiences of individuals—like twins separated by time,” he explains. He believes the visualization process that physicists engage in is akin to how writers approach narrative construction.

In this creative journey, does he find parallels during the editing phase of filmmaking?

“Absolutely, I experience that throughout every stage of production,” Nolan replies. “A significant part of my role involves articulating my instincts and feelings regarding the narrative’s structure. If I’m unsure about the flow or composition of a story, I recognize that something is amiss.”

He describes his approach to story structure as both geographical and geometric, often contemplating the patterns and shapes that narratives can take. Over the years, he has leaned towards an instinctual, ground-up method for structuring stories, fascinated by how feelings can embody a narrative form.

Nolan’s profound respect for the scientific method is evident. “I am deeply committed to truth,” he asserts. “The scientific method elevates human thought beyond any other belief system, including religion.”

As they discuss the themes in his films, Maria notes that viewers often perceive a message of anti-nihilism in works like Dunkirk, Interstellar, and Batman. Is it optimism that permeates his storytelling?

“Take the ending of Inception, for instance,” Nolan points out. “While there’s a nihilistic interpretation, the protagonist has moved forward to be with his children. The audience is left with an intellectual ambiguity rather than an emotional one. I believe there’s a fascinating connection between the endings of Inception and Oppenheimer, both carrying complex emotional weights.”

The audience's reactions to Oppenheimer have been varied, with some viewers leaving the theater deeply affected. “There’s an underlying fear in the historical context, yet the love for the characters and their relationships is stronger than ever.”

The intricate ethical questions surrounding Oppenheimer’s narrative offer no straightforward answers, only challenges. “The film invites significant questions to linger in the audience's mind, encouraging discussion,” he emphasizes.

Nolan’s comment about thinking in “geographical and geometric terms” resonates with many, including myself.

He relates to the instinctual process of crafting narratives, emphasizing the importance of immersing oneself in the characters' lives, especially the protagonist’s, to guide the storytelling journey.

On a different note, Nolan draws a parallel between the invention of the atomic bomb and the rise of generative artificial intelligence, pointing out both similarities and distinctions.

For the complete Wired interview, visit this link. For a wealth of interviews with screenwriters, authors, and filmmakers, check out the resources available at Go Into The Story. Engaging with professional writers through various media is an invaluable way to enhance your craft.

The Protagonist’s Journey: An Introduction to Character-Driven Screenwriting and Storytelling has become an Amazon #1 Best Seller in Film and Television. Endorsed by over thirty industry professionals, you can find it here. If you’re interested in an autographed copy, visit this page.

Chapter 2: Insights from Nolan's Work

In the first video titled "Why ‘Oppenheimer’ Writer and Director Christopher Nolan Carries a Burner Phone," Nolan discusses the intriguing reasons behind his choices as a filmmaker, including the importance of maintaining privacy in the age of digital surveillance.

The second video, "Robert Downey Jr. & Christopher Nolan Answer the Web's Most Searched Questions," features both industry giants tackling popular inquiries, offering a glimpse into their creative minds and collaborative spirit.